Stephan Graf Bentzel-Sturmfeder – artist and painter
01 — Statement
I do not paint to give answers. I create pictures that open up questions – about ourselves, our perception and how we want to shape the world.
02 — Portrait

The works of Stephan Graf Bentzel-Sturmfeder arise from the tension between intuition and construction, freedom and form, abstraction and figuration. His painting is immediate and powerful, yet marked by great sensitivity. Colour is not simply applied – it flows, overlaps, is broken, dissolved or re-framed by striking lines.
The result is pictorial space of great dynamism: poetic and full of energy, sometimes fragile, then uncompromising again. Suggested bodies, portraits and abstract structures merge into a visual language that resists quick interpretation. The works do not demand a single reading. Rather, they invite viewers to develop their own relationship with the picture.
His art follows no decorative intention. It seeks friction, resonance and emotional depth.
03 — The creative process
The creative process

01
Placing
With intuitive certainty he guides the brush across the canvas. The first stroke is a decision.

02
Flowing
Thinned paint runs freely across the surface, sometimes stopped, sometimes left to itself.

03
Dissolving
What has emerged is dissolved again. Construction and destruction are not opposites; they depend on each other.

04
Framing
Hard, dark lines re-frame the pastel glazes. Out of tension comes harmony.
What happens in the studio is also the foundation of my work with leaders.
04 — Biography
Biography
Born in Bamberg in 1973. More than three decades of intensive engagement with painting, art history and the creative process. Exhibitions in Berlin, Munich, Stuttgart, Vienna and London, among others.
Education
- 2003Bachelor of Fine Arts, London Institute
- 2003Studies in Munich and London
- 2003Classical art training with Alexander Schwartz
Exhibitions
- 2025Exhibition, Foodpark, Baiersdorf
- 2023Private Studio Schloss Jägersburg, Bammersdorf
- 2023Collectors Event, Bammersorf
- 2022Project days, Almersdorf, Kirchdorf Hallertau
- 2019Galerie Gromann, Weßling
- 2018Schloss Pörnbach
- 2018Tragic Hero, Erlangen municipal utilities
- 2017Tragic Hero, Hearthouse München
- 2017Group exhibition Wawarta – Soler – Bentzel, Forchheim
- 2017Tragic Hero, PopUp Gallery Forchheim
- 2016Blood and Opium, München
- 2016Open Studio, Landkreis Forchheim
- 2016Group exhibition Kreul Colors, Hallerndorf
- 2015Galerie Box32, Friedrichshain, Berlin
- 2015International Art Colony, Počitelj, Bosnien und Herzegowina
- 2015National and international art exhibition, Jägersburg
- 2015Sturmfeder winery, artist label
- 2014Conzil, Galerie Weber, München
- 2014Group exhibition Longing, Mainzeit Carée, München
- 2014WienOne, Brick 5, Wien
- 2014Microturbine, München
- 2014Open Studio, Landkreis Forchheim
- 2013Galerie Robert Weber, München
- 2013Group exhibition StuttgartOne, Stuttgart
- 2013Zammerhof, Erding
- 2013Kao Ono, Neumarkter, München
- 2012Group exhibition “Bleiben ist nirgends” (Nowhere to stay), Jägersburg
- 2011Art auction, Weisser Ring, Nürnberg
- 2010Artothek Forchheim
- 2008Order of Malta, Galerie Reygers, München
- 2007Gerhard Mair, München
- 2001Group exhibition Paint Explosion, London
- 1998Group exhibition Blocherer Akademie, München
- 1995Schloss Thurn, Heroldsbach
- 1994Group exhibition, Sturmfeder winery
Art fairs
- 2019Parallel Vienna Art Fair, Wien
- 2016Parallel Vienna Art Fair, Wien
- 2014Parallel Vienna Art Fair, Wien
Curatorial projects
- 2017Founding of the Contemporary Art Gallery, Forchheim
- 2017Curation: Silvia Wawarta, Forchheim
- 2017Curation: Christina Soler, Forchheim
- 2010Curation: Philip Baben der Erde, München
- 2009Curation: Haman Alimardani, München
- 2009Curation: Sasha Schwartz, München
- 2009Founding of Sturmfeder Projects, München
05 — Voices
Voices
In his work and in his life he is aware that tragedy and heroism are inseparable. His thinking and his actions are always as radical as his personality.
06 — Projects
Projects
Herbie in the Bath
A bathtub, a skeleton called Herbie and a performance in front of the canvas: a homage to David’s “The Death of Marat”.
